Relentless intuitions

Seguso, always driven by emotional stimuli that lead him to discover other possible coexistences between materials, returns to thinking about earthy materials, beginning to consider types of rock, convinced of obtaining a significant contrast with the transparency of glass. Not satisfied with the result, he turns to white Carrara marble, which, according to his intuition, can conform to a more coherent aesthetic uniformity. The result satisfies the artist, who continues his research with other types of marble such as black Belgian marble, gray Bardiglio, and various granites, which, due to his sensitivity in associating them with glass, he manages to coexist with it in a perfect synthesis, thus giving life to compositions of absolute linearity and rare beauty.